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Jähner, Harald
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En la revista de prensa europea se han citado hasta el momento 3 artículos de este autor/ esta autora.
Lamentablemente, todavía no se encuentra disponible la traducción en española de este texto, por lo tanto, solamente podemos poner a su disposición la versión inglesa.
Berliner Zeitung - Alemania | 13/02/2008
The first documentary film in the Berlinale competition
"Never before has a documentary film made it into the official comptetion at the Berlin Film Festival. That the first documentary to do this should be Errol Morris' film about the background to the Abu Ghraib torture scandal says something about our culture's addiction to images," writes Harald Jähner on "Standard Operating Procedure." "It is a film about conditions in the largest military prison in Iraq - but it is above all a film about the power of images, about sadism and voyeurism and a particularly unscrupulous form of amateur film-making and photography, shot by US soldiers using three digital cameras." Jähner, however, finds Morris' approach "questionable." "The Oscar winner has made a name for himself as a maker of 'impressionistic' documentary films, never at a loss for a design idea. Morris is a master of retrospective staging, who knows how to make documentary films into visual spectacles that aesthetically are a match for any extravagant feature film. Here he tries to compete with the gruesome directors of Abu Ghraib - and fails."
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Más de la revista de prensa sobre el tema » Película, » Alemania, » EE.UU., » Irak
Lamentablemente, todavía no se encuentra disponible la traducción en española de este texto, por lo tanto, solamente podemos poner a su disposición la versión inglesa.
Berliner Zeitung - Alemania | 09/03/2007
Germany looks towards Europe
An exhibition of nineteenth-century German paintings is currently on show at Brussels' Palais des Beaux-Arts. The exhibition comprises 150 paintings "that are among the best works of German art history" and in which Germany casts its eyes on its European neighbours. Harald Jähner went to see the exhibition and found that Germany presents itself as "an ambitious country full of model Europeans; EU citizens from the beginning of time... In this interpretation of history, for once Germany's path does not lead from small-town life to nationalism, but has a European orientation. The exhibition reveals a Germany that is charmed by the cultures of its neighbours - an open-minded nation of cosmopolitan artists to whom nothing is more alien than those features typically attributed to Germans in art history: eccentricity, secretiveness and a love of the dark, the mysterious and the authoritarian."
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Más de la revista de prensa sobre el tema » Exposiciones / Museos, » Artes gráficas, » Alemania, » Europa
Lamentablemente, todavía no se encuentra disponible la traducción en española de este texto, por lo tanto, solamente podemos poner a su disposición la versión inglesa.
Berliner Zeitung - Alemania | 04/10/2006
Will "Idomeneo" be staged in Berlin after all?
Harald Jähner reports on the debate about the withdrawal of 'Idomeneo' from the Deutsche Oper's programme, in which, among others, Ehrhart Körting, Berlin's minister for internal affairs, Thomas Flierl, Berlin's minister for cultural affairs, and the director of the Deutsche Oper Kirsten Harms participated. "Despite their differences, the people grouped on the stage, chosen to represent the whole of society, are intensely aware of the importance of the values of freedom. Regardless of the question of who's to blame, everyone here now knows that it was wrong to withdraw the opera. And naturally one learns from one's mistakes. Kirsten Harms is willing to put 'Idomeneo' back on the programme. Her face beaming, because now she's the winner of the event, she announces: 'If this is done I will put in a sincere plea for a comprehensive security plan.'"
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Más de la revista de prensa sobre el tema » Música, » Escenarios, » Religión, » Ideología, » Alemania