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German literature remains mid-sized and mediocre

Contemporary German authors don't trust themselves to deal either with "the new poverty" or the "massive return of wealth," says Ina Hartwig. "Dr. Freud's theory about the anal character of money is a no-brainer. It is also clear that those steeped in German culture basically mistrust wealth. The unadorned post-war aesthetic evidently had a profound effect on style. But a literature locked up in the barren melancholy of old Berlin apartments has become boring. Now, with the rich standing at the gates and the social order newly formed, younger writers must gradually take on this theme... In and of itself, money is not yet threatening; and if it were, this should be related. Money and wealth - in literature as in the other arts - once had depth, even if was the kind that lurked beneath the shimmering surface of the abyss."

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