"Can impressionism be reinvented?" wonders Jackie Wullschlager, the daily's chief art editor, as the work of two impressionists goes on show in London this March 17th. "The late 20th century golden age of the global block-buster, fixed the heavyweights Monet, Degas, Cézanne et all for a generation on both sides of the Atlantic. Such overarching historical inclusiveness will never, in our times of rocketing art prices, cash-strapped museums and terrorist panic, be equalled. So the early 21st century is delivering something else: the tangential , unexpected scholarly coda that refines the edges and attacks the fringes of these great reputations, flattering as it does so today's more sophisticated audiences with ripples of transformation and provocation, and promises of rarity in well-trodden terrain. The National Gallery's current display of Renoir landscapes is one such success. Yet more surprising and audacious is the Royal Academy's move in The Unknown Monet to reposition impressionism's virtuosos of spontaneity as a draughtsman and pastelist who worked on paper to prepare, explore and anticipate ideas and techniques on canvas." (16/03/2007)
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